Wet & Wild-Plein Air to Studio

JGPollard_Oak Creek at Briar Patch_plein air
JGPollard_Below Midgley Bridge
JGPollard_Impatiens by the Creek
Watercolor Unleashed
JGPollard_Crescent Moon Ranch

Description

WET & WILD – Plein Air to Studio!  Demos and Instruction in Watercolor

with Julie Gilbert Pollard

September 29 – October 1, 2022

Learn to paint water that looks wet, reflective and splashy! With stunning Oak Creek as your model, paint water as it splashes around and over the rocky streambed. Techniques will be demonstrated to address the various puzzles with which the artist is faced when painting this stunning, fascinating and challenging subject!

An important concept of this workshop is that the joy of a plein air experience should be accessible to all. The equipment suggested is, therefore, of a minimal nature. Our overriding goal is to enjoy the experience!

MORNINGS ON LOCATION for PLEIN AIR SKETCHING OR “LIGHT” PLEIN AIR PAINTING

At a nearby Oak Creek location, do “light” plein air painting, i.e. sketching, color-sketching, etc., using a minimal set-up, or simply taking photos.  Demos will be based on a minimal, portable version of plein air work. Nevertheless, the amount of equipment you take is your choice. There are lists of suggested supplies available for levels of activity at both ends of the spectrum.

AFTER LUNCH, CLASSROOM PAINTING

In the SAC studio, using material gathered that morning or on a previous day, work on paintings started on location or begin new paintings, as you wish.

LESSONS WILL FOCUS ON

  • The “anatomy” of a water cascade
  • Learn to paint rocks that look solid and hard
  • Demos in WATERCOLOR
  • Maintaining the plein air “feel” and sensitivity in your painting when back the in studio
  • Using your photo as inspiration rather than absolute visual fact
  • Negative painting lessons for the watercolorist
  • The painting process – keeping it manageable
  • Creative use of color – color mixing – painting with green – “using color as value” (as seen in Julie’s North Light Books and Videos)

All levels are welcome and encouraged to attend. The only prerequisite is an attitude of joy in the act of painting.

There will be demos, instruction at all levels as needed, individual critique and lots of painting time. Class time will be structured, yet open enough to accommodate the artistic spirit within us all!

In-Person Classes

COVID Health and Safety Protocols

The health and safety of our Patrons, Students, Volunteers, and Staff are a top priority. Since COVID-19 first surfaced, our staff continues to monitor the situation closely, taking every precaution to keep our Patrons, Students, Volunteers, Staff, and our community safe.

  • Masks inside our buildings are optional until further notice.

22 0929 JGP

Julie Gilbert Pollard

Julie Gilbert Pollard

Julie Gilbert Pollard paints in oil and watercolor in a fluid, painterly manner, a painting style that is representational, yet colored with her own personal concept and perception. She is the author of three North Light Books including Discover Oil Painting and Watercolor Unleashed, plus nine videos and several additional publications.

She has given instruction in watercolor and oil since 1985 in numerous venues such as La Romita School of Art in Umbria, Italy; Cheap Joe’s Art Workshops in North Carolina; Saanich Peninsula Arts and Crafts Society in Sidney, B.C., Canada, Vale do Lobo in Portugal; Sedona Arts Center School of Art and Scottsdale Artists’ School in Arizona.

A frequent award winner, Julie’s oils and watercolors have hung in numerous juried and gallery exhibits and is a signature member of the National Oil & Acrylic Painters’ Society, Arizona Watercolor Association and San Diego Watercolor Society.

Julie loves to paint and share her studies and methods. “It’s an elusive image I try to express in my paintings – one I’m continuously striving for. This world of ours is often a frightening and mysterious place, but is filled with scenes and subjects that excite my eye and imagination! The magical allure of the natural world, and my reverence for it, compel me to attempt to capture its essence in paint.”

PLEIN AIR SUPPLY LIST – WATERCOLOR – 2022

Julie Gilbert Pollard, Instructor

C 602-448-6195      JulieGilbertPollard@cox.net      www.JulieGilbertPollard.com

SUGGESTED COLORS:

I use a travel palette and tube paints. Note: For plein air I use M. Graham paint – it’s made with honey and re-constitutes with water better than other brands – making it great for travel. I squeeze out sizable amounts into my travel palette and allow them to dry so that they don’t leak out during travel. This is plenty, so I don’t need to bring the tubes. (This is a slightly different color palette from my studio colors and brands.) Another option is full- or half-pan watercolors – often sold in a travel kit palette with pre-selected colors, but you can buy individual pans as well. I plan on using the following colors:

  • Hansa or Azo Yellow
  • Nickel Azo Yellow
  • Gamboge or Indian Yellow
  • Quinacridone Red
  • Quinacridone Rose
  • Cobalt Violet
  • Cobalt Blue
  • Anthraquinone Blue
  • Manganese Blue

Optional – a few “emergency opaques”: white and/or very light colors (these do not go into my palette of colors as listed above) – here are a few I sometimes use to re-claim lost whites/lights:

  • Titanium White Gouache or Casein (no particular brand) or Liquid Matte Acrylic (I often use Apple Barrel – .50 @ Walmart)
  • Holbein Watercolor, Jaune Brillant #1
  • Naples Yellow (no particular brand)
  • Acrylic Gouache in pale primary colors

SUGGESTED BRUSHES:

  • #8 round
  • #4 small round or liner
  • ½” Aquarelle
  • ¾” Aquarelle
  • #4 “Quill”
  • Mop or Hake brush for dusting off eraser crumbs

Compact travel watercolor brushes that have a cap that not only protects the brush head but securely fits on the end of the brush to lengthen the handle are also great for plein air work.

PAPER:

100% rag, 140# cold press – such as Lanaquarelle, Winsor Newton, etc., torn or cut into smaller sizes – Crescent Illustration Board (cold press, medium weight #310) pre-cut into smaller pieces is a good travel choice. 11×14 is the largest size I usually use but will most often choose 8×10 instead to keep supplies less bulky and as light as possible. I also like the Strathmore Visual Journal watercolor (not multi-media) sketch book – 5×7 or 9×12, 140 lb. Cold Press

MINIMAL MISCELLANEOUS SUPPLIES:

Watercolor palette – personal choice – I use a Mijello 18 well travel palette.

  • If using pieces of paper, you’ll need a drawing board – I use a piece of “plexiglass” – very thin and lightweight.
  • Collapsible water container
  • 2B drawing pencils, or personal choice and a pencil sharpener
  • “Vanish” eraser (Jerry’s Artorama), “Click eraser”, gum eraser or kneadable eraser
  • Sketch book, 6×8 is fine
  • Spray bottle – I use eyeglasses cleaning solution spray bottles for their fine mist spray.
  • White facial tissues – NON-lotion
  • Baby wipes for quick clean-up
  • Trash bags
  • Backpack

MAXIMAL MISCELLANEOUS SUPPLIES – NOT AS PORTABLE – SOMETIMES ADDED TO THE ABOVE-LISTED ITEMS

FOR MY “PLEIN AIR to STUDIO WORKSHOPS THESE ARE TOTALLY OPTIONAL:

  • Portable field easel
  • Small folding stool – OR whatever YOU usually use for plein air painting. (Many people, including myself at times, just find a rock or wall to sit on and put their drawing board on their lap or the ground. When using an easel, I use an “EASyL Lite” – http://artworkessentials.com/Index.htm  – (the Mijello palette fits into it perfectly)
  • I also have an Art Comber, a folding chair on wheels with large supply compartment which I love – but it depends on space in vehicle. NOT for air travel.
  • An umbrella that clamps onto your easel or chair may be a good idea, but I usually don’t use one.
  • Small pliers or nut cracker for stuck-on lids
  • Apron
  • Backpack with wheels – except for the tripod that my easel fits onto, all of my watercolor equipment fits into this backpack.

MISCELLANEOUS NON-PAINTING ITEMS:

In addition to your painting supplies, here are some additional items to consider:

  • Camera, extra batteries, extra memory cards (I use a digital camera with my phone as back-up.)
  • Electronic tablet such as iPad, Samsung, etc. is wonderful for viewing images later in studio.
  • Hat
  • Sunscreen
  • Jacket
  • Drinking water
  • Snacks and/or lunch
  • Insect repellent: wipes, spray, etc.
  • Artist’s tape, masking tape or duct tape may come in handy
  • Knit gloves with the fingertips cut off
  • Towel to sit on
  • Wear comfortable shoes and clothes appropriate for the terrain and weather.

I stress that the supplies listed above are what I prefer but are only my suggestions – please understand that you are more than welcome to use your own favorites!

Cancellation Policy

Registration

  • Each student must enroll individually
  • Students may register online or by calling the Sedona Arts Center’s Administrative Offices in the Art Barn, toll-free at 888-954-4442 or locally at 928-282-3809
  • Visa, MasterCard, Discover, or American Express are accepted or student may pay with cash or check by registering in person during office hours at the Art Barn

In-Person and Online Workshops

  • Payment in full is due upon registration, or a payment plan can be put in place by the student upon check-out through Sezzle.
  • There is a $125 Cancellation Fee for any cancellations made before August 29, 2022. Remaining balance will be refunded.
  • There are no refunds after August 29, 2022.
  • If Sedona Arts Center cancels the workshop for any reason, all payments made will be refunded in full

Important Message Regarding the Cancellation/Refund Policy:

The Sedona Arts Center is not responsible for providing make-up sessions or issuing refunds, credits, or transfers for courses missed as a result of illness, emergencies, or other events beyond our control.

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