Sedona Fall Colors 2021

Betty Carr
Betty Carr
Betty Carr
Betty Carr
Betty Carr
Betty Carr
Betty Carr, Cathedral Rocks, 2015


 Sedona Fall Colors with Betty Carr
Watercolor or Oils
October 20 – 22, 2021

**Important Covid Note:

Masks are required while inside the building. We will have paper masks available at the door for your use if you need one. 

Also, Betty is requiring all her students to be fully vaccinated since we are again seeing large numbers in the hospitals due to the Delta variant. Please email Betty directly at with any questions or concerns.


Learn to capture the beauty of light in this three-day workshop! Betty Carr teaches students to accurately portray the effect of light on any subject in watercolor or oil. Students can work in either watercolor or oils and will explore a variety of locations in beautiful Sedona.

During her workshop Betty begins each day with a demonstration/ lecture covering tools, techniques, brushwork, problems and solutions. Emphasis throughout the workshop is on organization and simplification of darks and lights, value and color relationships, edges, movement and mass to create a dynamic, coherent composition.

Betty Carr’s energetic style and enthusiasm for painting and teaching create an infectious atmosphere of adventure and “can do” among her students. She has traveled the country teaching workshops for many years. Her instructional book “Seeing the Light” is available through North Light Books. Materials list includes both watercolor and oil – students can choose which medium they would like to work in.

First Meeting on Wednesday is 10:00 am in the Special Exhibition Gallery Studio on the Arts Center Campus. Instructor will arrange location meetings for the duration of the workshop.

This workshop precedes the week-long Sedona Plein Air Festival Oct 23 – 30, 2021.  Betty Carr will be participating in the festival.

In-Person Classes

COVID Health and Safety Protocols

The health and safety of our Patrons, Students, Volunteers, and Staff are a top priority. Since COVID-19 first surfaced, our staff continues to monitor the situation closely, taking every precaution to keep our Patrons, Students, Volunteers, Staff, and our community safe.

  • We require that face masks, covering mouth and nose, be worn in our buildings until further notice. (Note: face shields are not adequate)
  • Enrollment in classes and workshops is limited to ensure social distancing is possible.
  • Staff perform a rigorous sanitation protocol throughout the day.
  • Thermometers are available in the Gallery and Studios for self-checking of temperature upon entrance.
  • Sanitation stations are available at each entrance to the Center. Paper masks are available for no charge.

21 1020 BC

Betty Carr

Betty Carr

Betty Carr was born and raised in Santa Cruz, California and developed a love of art from visiting museums. For 23 years she taught art in public schools and did sculpture in her spare time. In 1980, she married landscape painter, Howard Carr, and they have devoted their lives to painting. They travel several months of each year, from Oregon to South Carolina in a specially equipped mobile home. In numerous locations, they teach artist workshops. She advises her students to draw continually because – drawing is critical to good painting.

From the time she was a young girl, Carr has been represented by galleries. She has been featured in numerous publications including Art of the West, Southwest Art, American Artist, Art Talk, American Artist and Vitality magazines. Betty is proud of her acceptance into the exclusive Knickerbocker Association of New York City. Energetic, brightly colored landscapes and still lifes are the signature work of this artist who is known for her skillful use of light, color and shadow. On the influence of light on her watercolors, she writes – “What catches my eye is the effect light has on form in unique situations whether fleeting, spilling over, striking, etc. I challenge myself in capturing its dramatic and/or subtle effects. I strive for confident enthusiastic brushwork, the maximizing of color’s value and intensity range and a fresh painterly approach, the result appearing effortless.”

  • Oil Paints
    Alizarin Crimson Ultramarine Blue Cerulean Blue Cadmium Yellow Lt. Cadmium Red Lt. Cadmium Red Medium Burnt Sienna Yellow Ochre Cobalt Blue Viridian Sap Green Lemon Yellow Titanium White Optional- Permanent Rose
  • Oil Palette
    Wood; Plexi Glass, Paper, Easel Pal, French Mistress or French Companion, your preference
  • Oil Brushes
    Hog Hair Bristle: Flats and/or filberts, #4, #6, #8, #10, a couple small to medium soft hair brushes for blending effects and edge work. Pallet knife for mixing and painting. I prefer good quality flats and recommend the Silver- Grand Prix and Silver -Bristlon, various sizes (favorite #4, #6 #8)
  • Canvas
    Pre-stretched cotton, and/or linen; panels are also fine; a variety of small to medium sizes, your choice as to size preference; (small to large). generally small to medium (6x8, 8x10, 9x12, 11x14, etc.)
  • Medium
    Odorless mineral spirits, refined linseed oil. Containers to hold mediums
  • Other Oil Supplies
    Paper towels, paint cloths, pencil and sketch pad, trash bags If painting in the studio- bring a few of your favorite photos- (landscapes, Still-life, architecture, seascapes, etc. )
  • Easels and Umbrellas
    Bring your favorite pochade box, French easel or other easel/palette system that you like for painting outdoors. Also, an umbrella for your easel if you like - it can make a difference in your choice of painting locations – you don’t have to hunt for shade.
  • Watercolor Paints
    Feel free to choose your favorite brands Alizarin Crimson Antwerp Blue Ultramarine Blue Burnt Sienna Yellow Ochre Permanent Rose Winsor Red Cobalt Blue Maganese Blue Cad. Orange Cobalt Violet Cad.Yellow lt. Lemon Yellow Viridian Colbalt Violet Quinacridone Burnt Orange Opaque White (Favorite Brand) Cad. Scarlet Sap Green Carr Yellow (American Journey)
  • Watercolor Palette
    Robert Wood, Pike, Robbie Laird, Cheap Joe's – the larger the better which ever you prefer.
  • Paper
    D’Arches 140lb Cold Press, D’Arches watercolor blocks are fine all though I prefer sheets. Sketchbook for preliminary value studies. 300lb D’Arches can also be used.
  • Watercolor Board
    Watercolor Board, Gator Board, Foam Core (double thick) for stretching watercolor paper. Suggestion - bring two boards.
  • Pencils
    HB, 2B, 4B, etc. ( a couple watercolor pencils)
  • Erasers
    Gum, Pink, Pearl, Magic Rub, etc.
  • Watercolor Brushes
    Incorporate your favorite, preferably larger rounds, #8, #10, #12, #14, etc. Also a couple smaller round and flat brushes for details. 1” – ½” Flats for washes. Pallet knife for scratching detail and textural work, small fritch (cheap joe’s) or short, small, stiff brush to lift edges and lights. Recommended Brushes: Joe Miller signature Series 50/50 Brushes, Silver Black Velvet stripper, Escoda Reserva Tajmyr-Kolinsky (Aquario, Barcelona). Note: We will be using expressive, impressionist strokes; large rounds and flats work best for excellent results.
  • Other Watercolor Supplies
    Liquid Frisket, spray bottle, paper towels, salt, sponge, rubber cement pick-up, masking tape, baby toothbrush, small bar of soap, Q-Tips, Kleenex. Bring an easel if you prefer to work on it. We will be working outdoors. Bring an easel or pochade box if you prefer to work upright. Also, an umbrella for your easel if you like - it can make a difference in your choice of painting locations – you don’t have to hunt for shade.
  • Books
    Seeing the Light, an Artists’ Guide” by Betty Carr “Hawthorne on Painting” by Mrs. Charles Hawthorne “The Art Spirit” by Robert Henri

Cancellation Policy


  • Each student must enroll individually
  • Students may register online or by calling the Sedona Arts Center’s Administrative Offices in the Art Barn, toll-free at 888-954-4442 or locally at 928-282-3809
  • Visa, MasterCard, Discover, or American Express are accepted or student may pay with cash or check by registering in person during office hours at the Art Barn

In-Person and Online Workshops

  • A student may pay in full or place a $125 non-refundable deposit to save a space in the workshop
  • Any unpaid balance is due at least 30 days prior to first day of class
  • If a student cancels before the 30-day cut-off, the balance is refunded (or cancelled if not already paid) – the deposit is non-refundable
  • If a student cancels within the 30-days prior to class, no refund is given and both deposit and balance are forfeited
  • If Sedona Arts Center cancels the workshop for any reason, all payments made will be refunded in full

Important Message

The Sedona Arts Center is not responsible for providing make-up sessions or issuing refunds, credits, or transfers for courses missed as a result of illness, emergencies, or other events beyond our control. There are absolutely no refunds after the cut-off date for any reason, unless the Sedona Arts Center has to cancel the workshop, then all fees paid will be refunded in full.

Covid-19 Update for In-Person Classes and Workshops: 

As long as SAC is able to provide an environment that adheres to the CDC guidelines for social gatherings, and assuming all other normal criteria are met and the workshop or class goes forward, the above cancellation policies are in effect.