Finding Your Voice: Oil and Cold Wax with Lisa Pressman
April 12 – 16, 2023 | Friday – Wednesday
Fri: 10 am – 5 pm | Sat: 9 am – 4 pm
Sun: 9 – 12:30 instruction, 12:30 – 4 pm lunch/open studio time
Mon & Tues: 9 am – 4 pm
Experience: Some painting experience is suggested.
Medium: See 2nd paragraph below.
Registration: Click the Cancellation Policy Tab above for info.
Materials List: Click the Materials List tab above for a list of supplies students need to bring to class.
Location: Sedona Arts Center, Theatre Studio.
Over the course of the workshop, Lisa will work to expand your personal vocabulary and vision through a series of exercises based on the various ways of learning, along with drawing and moving paint. The language of art will be revisited: composition, color, tension and space, and scale will all be discussed. Focus areas will include content, how to see, and moving your work forward. Participants will be encouraged to work in a series, while revisiting the painting process.
Demonstrations include using various painting tools, drawing with cold wax, mixing paint and color, building layers, excavating, mono-printing, glazing, mark making and texture possibilities. Students will be introduced to R&F Pigment Sticks, pastel, solvents, and other materials.
What Lisa brings to teaching is her years of experience with conceptually driven abstraction and the love of layers of materials. All her teaching concentrates on content, creativity, art making and of course, technique, with an emphasis on helping participants to discover their unique marks and concepts. During the workshop, there will be high-energy sessions featuring experimentation with a multitude of materials. She will schedule fast-paced demos and exercises along with plenty of painting time, personal attention, and group discussions. During the workshop, you will look at slideshows that address art history and the development of artwork over time.
Lisa’s specialty is focusing on each participant’s needs, visual editing and critique. She will provide personal, one-on-one teaching time to participants to discuss specific questions and what is happening in their work.
24 0412 LP
Lisa Pressman’s career as an artist has been marked by exploration of the expressive potential of a variety of mediums, among them oil, encaustic, cold wax, and mixed-media collage. Her work is abstract, conceptually based, and process-driven, featuring marks, forms, colors and patterns that are evocative rather than descriptive.
A New Jersey native, Lisa developed rich visual imagination at an early age. Her father owned a lumberyard and her mother was an actress, artist, and antiques dealer. Lisa grew up surrounded by building materials and immersed in multiple forms of cultural expression that nurtured her curiosity and aesthetic sensibility. A trip to Israel when she was 12 revealed to her that the world is filled with a variety of visual images, textures and colors that contrasted sharply with her previous experiences. This recognition of her own visual acuity was the defining moment when she realized she was going to become an artist.
Lisa received her Bachelor of Arts degree in fine art from Douglass College at Rutgers University, with an emphasis in ceramics and sculpture, in 1979. As a graduate student she changed her emphasis to painting, and in 1981 was awarded a Master of Fine Arts degree in Painting from Bard College. Since then she has exhibited regionally and nationally in solo and group exhibitions, and her work is held in numerous private and public collections. Her work is represented by Susan Eley Fine Arts in New York, Addington Gallery in Chicago, and The Gallery of Fine Arts in Telluride, Colorado. Most recently, Lisa has been awarded a solo exhibition at the Mulvane Art Museum in Topeka, Kansas.
A highly respected arts educator, Lisa maintains a vigorous teaching program. She’s been on the faculty at the former Art Institute of NY, a visiting professor at Pratt Institute and other universities, and has taught workshops in France, Mexico, Italy and the U.S. Especially renowned for her teaching of encaustic and cold wax processes, she is an annual presenter at the International Encaustic Conference in Provincetown, MA. She also is an instructor for R&F Handmade Paints and Gamblin Artists Colors. As a mentor, her focus is on the facilitation of each student’s voice − the awareness of the source of what they are doing and why, and the medium and visual language with which they can most effectively express their artistic vision.
1 pad of Arches oil paper 9” x 12” (recommended but the paper can be mixed media paper, water color paper gessoed) taped with a one inch border (painters tape) around the edges and also in half for painting exercise.
PLEASE TAPE BEFORE CLASS – Also if you don’t want to travel with panels bring extra Arches oil paper
box of latex or nitrile gloves
pack of unscented baby wipes
4-6 Ampersand EncausticBord, Gesso or Birch panels prepared for oil: gessoed Instructor recommends the panels being the same size.
Arches oil paper is excellent and an easy solution if traveling.
Oil Paint: 1. large tube of Titanium white and plus a variety of colors: Choose colors that you like to paint with. I like Gamblin, Williamsburg paints. Small tubes are fine. Look for combination of transparent and opaque choices as seen on the tubes or color charts. Make sure you have warms and cools
1 or two large cans of gamblin cold wax (not the gallon) and a tube of galkyd gel
Drawing materials: pencils, stabile black pencils, art graph
disposable paper palette 12” x 16” or freezer paper
cheap sponge paint roller (from the dollar store or michaels
blue painters tape
wax paper for layering between wet panels
cardboard (pizza boxes) for transporting wet work
cheap tissue paper (wrapping tissue paper)
any specific stencils that you may want to use (we will have some stencils to choose from)
rags or paper towels
straight edge razor blades
R&F Handmade Paints will sponsor the workshop with RF Pigment Sticks
Each student must enroll individually
Students may register online or by calling the Sedona Arts Center’s Administrative Offices in the Art Barn, toll-free at 888-954-4442 or locally at 928-282-3809
Visa, MasterCard, Discover, or American Express are accepted or student may pay with cash or check by registering in person during office hours at the Art Barn
In-Person and Online Workshops
Payment in full is due upon registration, or a payment plan can be put in place by the student upon check-out through Sezzle.
There is a $125 Cancellation Fee for any cancellations made before March 12, 2024. Remaining balance will be refunded.
There are no refunds after March 12, 2024.
If Sedona Arts Center cancels the workshop for any reason, all payments made will be refunded in full.
Note: If traveling to Sedona, we strongly urge students to purchase refundable airline tickets or travel insurance in case of workshop cancellation due to insufficient enrollment or other unforeseen changes. Sedona Arts Center is not responsible for non-refundable ticket purchases or lodging fees.
The Sedona Arts Center is not responsible for providing make-up sessions or issuing refunds, credits, or transfers for courses missed as a result of illness, emergencies, or other events beyond our control. There are absolutely no refunds after the cut-off date for any reason, unless the Sedona Arts Center has to cancel the workshop, then all fees paid will be refunded in full.
Lisa Pressman is a model of what a teacher can bring to the table for students. I have seen her teach, and I’m in awe of her ability to bring out the best. It also says a great deal that other teachers take her workshops. No one–no one–who takes a few workshops and then turns around to teach could come close to what a seasoned, generous and brilliant teacher like Lisa has to offer. Why would any student want to settle for less?
Joanne Mattera, painter, founder/director of theInternational Encaustic Conference
Since the workshop I hired Lisa for mentoring. She has helped me pull my art business together and put forth a more professional face to everything. Because of her and other people she has put me in touch with, my business has grown monumentally in a very short time. We also work on the painting aspect, but tying up the loose ends of the business side has been a big boost to my career.
Lisa Pressman is an accomplished artist and talented instructor. I’ve participated in several workshops with Lisa and also in her individual mentoring program. I’m amazed by her ebullient freedom with materials and techniques that I take away from her unique instruction, but also her ability to push me to the next level. She compels me to examine my work and myself as an artist, and has given me the perspective I’ve needed to strengthen my creative practice and growth as a painter. Lisa’s wealth of knowledge, critical eye and generous guidance has shown me my own potential.
I came to Lisa Pressman with a specific set of goals in mind that I wanted to address in my art and my art career goals and she was a wonderful soundboard and guide. I really appreciated the way she looked at my work and my goals and helped me hone in on what is essential to my visual voice, as well as pushing me to really think and delve further. Months later, I am still referring to my notes I took during our sessions and our email exchanges. Doing the mentorship with Lisa was like being given a toolbox full of resources and reflections that I have taken with me and will keep with me for a long time.
Bridgette Guerzon Mills
Mentoring with Lisa Pressman has done more for my art, and my art career than I had ever hoped for. Within months of beginning our work together I was being represented by two new galleries, had a website I was very proud of and had a more focused and deeper understanding of my work and my identity as an artist. She is a sage sounding board offering priceless wisdom garnered from her many years of experience. Working with her has been the best decision I ever could have made for the success of my journey as an artist.
I have taken several workshops from Lisa Pressman and have always come away with a better understanding of the materials used as well as a fresh sense of where I’m going with my own art making. She is an intuitive instructor, adapting her lessons to meet the needs of her students. Individual attention is one of her strengths. She allows ample time for exploration as we discover new techniques and methods for approaching our work. As a mentor, Lisa has helped me take my studio practice to the next level. Her questions are thought-provoking and individualized; her answers to my questions are honest and reliable. She is a valuable resource whether I’m updating my website, preparing for an art show, or contemplating a new body of work. Her humorous yet straight-forward approach is exactly what I need.”